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The Wardian Case was a glass structure used to transport and display delicate and exotic plants. My cabinets, like the glasshouses, are designed to exhibit and contextualize the evidence I collected as a way to engage the viewer with my process, as well as engage them with the garden. What I did not anticipate, was the extreme to which the tool used to facilitate view would become subject to the same scrutiny as the work that is contained within. The beautiful tension between intent and reaction occurred again. 

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